Cherrie Moraga

Date of Birth: September 25, 1952

Zodiac Sign: Libra

Biography

Cherríe Moraga is an influential Chicana writer, feminist, activist, poet, essayist, and playwright. Born in Whittier, California, she has dedicated much of her life to advocating for the rights of women, LGBTQ+ communities, and people of color. Moraga is best known for her role in co-editing the groundbreaking anthology “This Bridge Called My Back: Writings by Radical Women of Color” alongside Gloria Anzaldúa. This seminal work has been a touchstone in feminist literature and has inspired countless activists and scholars. Moraga’s literary and activist work often explores themes of identity, cultural heritage, and social justice. She has published several books, including “Loving in the War Years: Lo Que Nunca Pasó Por Sus Labios” and “The Last Generation: Prose and Poetry.” As a playwright, her works such as “Shadow of a Man” and “Heroes and Saints” have been performed nationally and internationally, receiving critical acclaim for their powerful narratives and culturally rich storytelling. In addition to her writing, Moraga has held academic positions at various institutions, including Stanford University, where she has mentored and inspired new generations of activists and writers. Her contributions to literature and social activism have earned her numerous awards and recognition.

5 Interesting Facts about Cherrie Moraga

1. Cherríe Moraga is a co-founder of the cultural arts organization La Red Xicana Indígena.

2. She was the first woman to receive the United States Artists Rockefeller Fellowship for Literature in 2007.

3. Moraga has taught at prestigious institutions such as Stanford University and the University of California, Santa Barbara.

4. Her play “Heroes and Saints” won the Fund for New American Plays Award in 1992.

5. Moraga’s work has been translated into multiple languages, broadening her impact on global feminist and activist movements.

5 Most Interesting Quotes from Cherrie Moraga

1. “The danger lies in ranking the oppressions. The danger lies in failing to acknowledge the specificity of the oppression.”

2. “Remember that without the burdens of oppression, women might have invented the joy much earlier in human history.”

3. “Our strategy is how we cope—how we measure and weigh what is to be said and when to say it.”

4. “A theory in the flesh means one where the physical realities of our lives—our skin color, the land or concrete we grew up on, our sexual longings—all fuse to create a politic born out of necessity.”

5. “The joy is in the struggle, in the struggle itself.”